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PEOPLE@HES-SO – Annuaire et Répertoire des compétences

PEOPLE@HES-SO
Annuaire et Répertoire des compétences

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Tilbury Eric

Tilbury Eric

Professeur HES associé

Compétences principales

Heritage architectural

architecture vernaculaire

architecture asiatique

histoire de l'art

histoire de l'architecture

Aménagement des espaces publics

Architectural Heritage and Tourism

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Contrat principal

Professeur HES associé

Bureau: HEIA_C40.13

Haute école d'ingénierie et d'architecture de Fribourg
Boulevard de Pérolles 80, 1700 Fribourg, CH
HEIA-FR

Responsable de la filière d'archicteture de la HEIA-Fribourg de 2014 à 2021.

Head of Faculty of Architecture HEIA-FR from 2014 to 2021

BA HES-SO en Architecture - Haute école d'ingénierie et d'architecture de Fribourg
  • Asian Grand Tour: Inde, Chine, Corée du Sud et Japon
  • Patrimoines vernaculaires
  • Portfolio de l'architecte
  • Art et Architecture
  • Profile Search_ mémoire de recherche - JointMaster

2006

The Fragmented Museum
Thèse de doctorat
Reassessing spaces fro modern and contemporary Art in Bangkok

Tilbury Eric

2006,  Faculty of Architecture, Silpakorn University, Bangkok : Architectural Heritage Management and Tourism (International Program).  300  p.

Professor William Logan, Ph.D - Chairman, Professor Trungjai Buranasomphob, Ph.D - Member, Professor Sumet Jumsai, Ph.D - Director

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Résumé:

The modern and contemporary art museum reflects present local values and deals with future heritage isuues. Considered as a seismograph of the society, the art museum has been shaped in various architectural formulas through time. A unique relationship with the city housing it has been developed. 

Post-modern issues regarding the architecture of art museums have led to the dissemination of the art spaces within the city, from the popular cafés-galleries to elective cultural art centres. Each art spaces refers to specific architectural typologies and reveals urban and social specificities. These cultural venues, ion an outsanding state of diversity , compose the contemporary 'fragmented museum'.

To demonstrate the existence of this 'fragmented museum', Bangkok megapolis is taken as a field of architectural exploration. Through the present and historical analysis of more than 70 art venues, then focused on relevant selected spaces, the pieces of the 'fragmented contemporary art museum' of Bangkok are assembled. A vision on the dynamic urban network devoted to cultural tourism is offered. It reflects Thai authenticity and Bangkok hectic cultural dynanism.

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